Clair-obscur
Drawing on the works of a hundred works from the Pinault Collection—and, for the first time, several modernist pieces—, the exhibition "Clair-obscur" explores the legacy of chiaroscuro as it resonates in the present day.
Drawing on the works of a hundred works from the Pinault Collection—and, for the first time, several modernist pieces—, the exhibition "Clair-obscur" explores the legacy of chiaroscuro as it resonates in the present day.
Pierre Huyghe’s film Camata (2024) unfolds in the museum’s Rotunda as a meditation in which life and death, reality and fiction, the human and the non-human are replayed to question humanity’s place within a universe shaped by technology.
In the display cases of the Passage and in the Machine Room, Laura Lamiel’s installations transform light and color into a sensitive material. Between shadow and radiance, she composes a poetic landscape of objects and forms that invite viewers to perceive the infinitesimal and to touch, with their gaze, what usually remains invisible.
Accompanied by a museum guide, the tour offers children and adults the opportunity to explore the museum together.
In resonance with the exhibition “Clair-obscur”, the Bourse de Commerce presents 6pm to 6am, an event conceived by independent curator Violette Wood.
The Bourse de Commerce presents a concert by the group Los Thuthanaka, blending Andean rhythms, Aymara compositions, and psychedelic rock sounds. The evening opens with a set by the underground psychedelic reggaeton collective Weed420.
From June 4, the Rotunda is taken over by Japanese artist Fujiko Nakaya with one of her "Fog Sculptures", titled "Cloud #07150".
The Pinault Collection brings together some 10,000 works of art. This ensemble is presented through exhibitions in the Pinault Collection's museums and beyond.