Since the end of the 1980s, through film, photography, and installation, Stan Douglas has explored the consequences of the reproducibility of images on the construction of the twentieth century political imaginary.

What is particularly remarkable about Araki’s entire visual œuvre [..] is the impression of a free play between the anecdotal or the everyday and the studied pose or composition, between, as it were, his real life and his “artistic life." Simon Baker

"This photographic mosaic points to the artist’s complex thinking, to the very core of his feelings, impulses, and reflections. Each image, whatever its subject, from the most banal to the most torrid, finds its place in the narrative of his experience of time."  Matthieu Humery

“The sculptures were created with the intention that these are guardians or some kind of prophet.” Tatiana Trouvé on "The Guardians".