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Minimal

From 8 October 2025 to 18 January 2026
Lee Ufan, From Line, 1978, Pinault Collection © Lee Ufan / Adagp, Paris, 2025

From 8 October 2025, the Bourse de Commerce will host a major exhibition dedicated to Minimal art. Bringing together an exceptional group of works from the Pinault Collection in dialogue with those of prestigious collections, "Minimal" traces the diversity of this movement since the 1960s, when a whole generation of artists initiated a radical approach to art.

Opening hours

Open Monday to Sunday from 11:00 am to 7:00 pm
Late opening on Friday, until 9:00 pm
Closed on Tuesdays and May 1
Late opening every first Saturday of the month from 5pm to 9pm

The Rotunda will be closed from May 28 to June 4 to prepare for the installation of Céleste Boursier-Mougenot

The Rotunda will be closed from May 28 to June 4: reduced rate during this period.

Full rate : 15 € 
Reduced rate : 10 €
Free entry with the Membership Pinault Collection card
Free entry without booking after 4 pm for Super Cercle members

All rates and free admission

The "Minimal" exhibition explores the global and international evolution of this movement, which since the early 1960s has radically reconsidered the status of artwork. 

Characterized by an economy of means, pared-down aesthetics, and a reconsideration of the artwork’s placement in relation to the viewer, artists across Asia, Europe, North and South America challenged traditional methods of display. This approach invited a more direct, bodily interaction with the art, integrating the viewer and the environment into the artwork itself. While these transformations unfolded in distinct ways across different regions, they shared a common drive to expand the relationship between artwork and audience. 

For instance, in Japan, the Mono-ha movement, focused on bringing ‘things’ together in their natural, unaltered states, highlighting the interdependence of objects, space, and viewer. In Brazil, neo-concrete artists embraced a more sensual abstraction, countering the rigid forms of concrete art and fostering an intimate viewer connection. Meanwhile, in Europe, movements like Zero in Germany and Arte Povera in Italy pushed the boundaries of sculpture through minimalist forms and direct engagement with space, while in the U.S., Minimalist artists rejected traditional compositional techniques in favor of simplicity and materiality. Despite being rooted in local contexts, these developments emerged simultaneously, challenging the American-dominated narrative of Minimalism. 

Organised in seven thematics—Light, Mono-ha, Balance, Surface, Grid, Monochrome, Materialism — the exhibition, curated by Jessica Morgan, Director Dia Art Foundation, will foreground these unique yet interconnected artistic developments worldwide drawing on an exceptional group of works from the Pinault Collection, with additional loans from Dia Art Foundation and other private and public collections.

Avec : Rasheed Araeen / Mcarthur Binion / Chryssa / Mary Corse / Melvin Edwards / Koji Enokura / Dan Flavin / Felix Gonzalez-Torres / Hans Haacke / Maren Hassinger / Mary Heilmann / Eva Hesse / Nancy Holt / Robert Irwin / Donald Judd / On Kawara / Susumu Koshimuzu / David Lamelas / Seung-Taek Lee / Bernd Lohaus / Francesco Lo Savio / Sol Lewitt / Brice Marden / Enzo Mari / Walter De Maria / Agnes Martin / François Morellet / Senga Nengudi / Helio Oiticica / Pauline Oliveros / Blinky Palermo / Lygia Pape / Howardena Pindell / Charlotte Posenenske / Steve Reich / Bridget Riley / Dorothea Rockburne / Robert Ryman / Nobuo Sekine / Richard Serra / Keith Sonnier / Michelle Stuart / Kishio Suga / Jiro Takamatsu / Anne Truitt / Günther Uecker / Lee Ufan / Yoshi Wada / Merril Wagner / Meg Webster / Jackie Winsor / Iannis Xenakis

Curated by : Jessica Morgan, Director of Dia Art Foundation

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