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Nan Goldin. Stendhal Syndrome

until 25 January 2027
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Nan Goldin, Stendhal Syndrome, 2024 Digital slideshow, 26 min. Courtesy of the artist  View of the exhibition “Remember Me”, Bourse de Commerce – Pinault Collection, Paris, 2026-2027. © Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier. Photo : Mickaël Llorca.

Screened in the Auditorium of the museum as part of the exhibition "Remember Me", this work takes the form of a visual dialogue between the universal and the personal. It reinterprets the notorious Stendhal Syndrome, in which the dizzying intensity of beauty can make people faint.

Opening hours

Monday to Sunday, 11 a.m to 7 p.m
Closed on Tuesdays
There are no late-night openings on Fridays.

The Auditorium will be closed on:
- Monday, October 7
- Friday, October 23
- Thursday, November 5
- Friday, November 13, in the afternoon
- Sunday, November 15
- Monday, November 23, in the afternoon
- Monday, November 30, in the afternoon
- Friday, January 22

Special rate Bourse in motion: 9€
Ages 18-26 and other reductions: 7€
Free entry without booking for Super Cercle members
Free entry with the Membership Pinault Collection Card

From October 7, this exhibition can be accessed with a ticket for the "Remember Me" exhibition.

All rates and free admission

Stendhal Syndrome, shown as a slideshow, combines masterpieces of ancient, classical art, the Renaissance, and the Baroque with portraits that Nan Goldin made of her close friends and lovers. Created during her visits to the world’s major museums, these images erase the boundary between art history and personal experience in their combination of mythological figures and masterpieces of the past with the artist’s own community. Inspired by Ovid’s Metamorphoses, the work is narrated by the artist herself, an original composition by Soundwalk Collective, and a musical piece by Mica Levi. This piece contemplates love, loss, and memory as a way to assert the capacity of images to preserve beings, create a dialogue between the living and the past, and inscribe the most personal of histories in our collective memory.

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